Publisher:

University of Coventry, Centre for Agroecology, Water and Resilience (CAWR) Coventry, United Kingdom in cooperation with ITLA

ISSN 2754-7620  (Online)

 

Current issue:

Volume 3, Number 2

February 2025

The Art of Terraced Landscapes Journal

Submit an article at submit@itla.si

About this journal

Journal Homepage

> Journal homepage

Art in terraced landscapes encompasses all kinds of artistic expressions: from photographic collections of terraces, drone footage of terraced landscapes, artistic expressions of stone-masonry and dry stone walling, sculptures and paintings, art happenings. The aim of the journal is to bring to life the idea and vision of every human action in and in relation to the terraced landscape as a precious document of coexistence.

> Ethical principles

Volume 3, Number 2 (June 2025)

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Daniel Fernandez Galván

 

Visual Chronicler of the Atlantic Terraces

 

 

In the last 5 years Daniel has been engaged with the editing of the 11th volume of the Journal ‘Rincones del Atlántico’, a unique and fascinating combination of illustrations, photos and documentation in Spanish for which ITLA supports Daniel’s call for crowdfunding. Please consider a voluntary financial donation to this journal

https://crowdfunding.rinconesdelatlantico.com/ and you will receive a copy of the new journal coming out this year.

 

Rincones del Atlántico and the ITLA Manifiesto from Padua share a common spirit and values regarding the importance of Terraced Landscapes therefore we publish their editorial philosophy:

 

“Rincones del Atlántico is an (annual) publication that is also published in digital format. Its purpose is to disseminate knowledge, appreciation and protection of the landscape and the natural and cultural heritage of the Canary Islands. A useful tool for educators, students, local development activists... interested in initiatives based on the culture, traditions, environment, agriculture, nature and landscape of the Canary Islands and neighbouring archipelagos.

 

Rincones del Atlántico was created with the aim of transmitting, in an informative, entertaining and didactic way, with rigour and quality, the value and beauty of the landscape of these islands and the enormous importance of its conservation, from a pedagogical, humanist, ecological, ethical and constructive perspective, offering ideas and alternatives for a truly sustainable, harmonious, rational, eco-efficient and sustainable development. ‘To know in order to love and to love in order to care, protect and conserve’.

 

DOI

 

Volume 3, Number 1 (February 2025)

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Hwan JIN JO

 

Dolbitna Art School: The Stonemasons of

Jeju Island

 

 

Jeju Island was an ancient independent nation with its own unique identity for about 1,000 years from the 3rd century to the early 12th century. Jeju Island, formed by a volcanic eruption, is mostly covered with basalt. In the harsh environment, where strong winds frequently blow, Jeju people have used stones appropriately to control the wind. Stacking stones is an essential survival skill for Jeju people. Jeju Island’s drystone walls leave gaps to allow the wind to pass through. Currently, there are about 300 professional stonemasons in Jeju Island whose job is to stack stone walls.

 

DOI

 

Volume 2, Number 1  (October 2021)

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This PDF contains the complete layout of the issue including introduction. To download individual articles, please use the DOI links.

 

 

Louisa JONES

History of a Hillside

 

Louisa Jones transports us to a terraced hillside in southeastern France. She and her husband bought in 1975 two properties of seven hectares. One part was severely damaged by agrochemicals, the other was abandoned for five decades.

Enriching diversity in hill ecosystems, creating visual rhythms with stone walling, Louise and Bernard are passing down a local heritage, a place of enjoyment and inspiring well being.

 

DOI

 

Bethe HAGENS

Solace in a Time of Covid (with a nod to

Gabriel Garcia Marquez)

 

Bethe Hagens takes us to Maine, USA. Her home garden on a hill is the location where she, for more than six years, patiently removed trash, created soil and planned her dream garden with terraces made of stones and a great variety of edible plants and flowers growing freely.

 

DOI

 

Volume 1, Number 2 (December 2020)

Francisco LEIVA IVORRA

 

Quick sketches following the expedition of terraces on La Gomera

 

Francisco Leiva of the Aranea coined the term Bancalismo - a movement to revive terrace culture in terms of aesthetics, way of life, special food and wine, space for recreation and well-being.

 

DOI

 

Volume 1, Number 1  (October 2020)

Yuji UENO

 

A Novel Approach to Scarecrows in Japanese Rice Terraces (Photo Stories)

 

The design project of Ueno Yuji from Nagaoka in Japan promotes how to use of scarecrows in Japan’s rice terraces based on the idea that “scarecrows are farmers and friends”.

 

DOI

 

 

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